Our aim is to import the experimental culture, computer aesthetics and hypertextual modalities of the internet era into a literary scene we perceive as conservative and resistant to change. SPAM very much aspires to a semi-rhizomatic model of publication, accepting contributions from cyberspace and beyond, and facilitating the everyday exhibition of memes, tweets, troll quotes, and the strange k-hole of YouTube comments, next to nuggets of critical theory, and masterpieces of the poetic canon.